Although historical sources discussing punctuation and cadences, such as Koch (1782–1793) and Riepel (1752–1768), were mainly designated for the instruction of beginning composers, they are often called upon in recent analytical literature (e.g., Burstein, 2010 Diergarten & Neuwirth, 2019) to provide historically informed insights into the structure of eighteenth-century music. 40.MUSICAL punctuation-that is, the segmentation of musical pieces through closural events (typically referred to as "cadences")-is a pivotal phenomenon in all music, and the study of cadences and cadential formulas represents an essential part of the basic training in common-practice tonal music (cf., e.g., Aldwell, Schachter & Cadwallader, 2011 Kostka, Payne & Almén, 2013). Part IV The Twentieth Century and Beyond 34. Modulation to Closely Related Keys Binary and Ternary Forms Invention, Fugue, and Baroque Counterpoint Variation Modal Mixture The Neapolitan Sixth and Augmented-Sixth Chords Vocal Forms Popular Music Chromatic Harmony and Voice-Leading Chromatic Modulation Sonata, Sonatina, and Concerto Rondo, Sonata-Rondo, and Large Ternary Secondary Dominant and Leading-Tone Chords to V 21. Phrase Structure and Motivic Analysis 19. Voice-Leading Chords: vii, vii, vii, and Others 18. New Cadence Types and Diatonic Root Progressions 16. Dominant Sevenths, the Predominant Area, and Chorale Harmonization 14. From Species to Chorale Style: Soprano and Bass Lines 12. Part II Diatonic Harmony and Tonicization 11. Melodic and Rhythmic Embellishment in Two-Voice Composition Connecting Intervals in Note-to-Note Counterpoint 10.
Pitch Collections, Scales, and Major Keys 4.
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Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110 W. Norton & Company, | ?2016 | Includes index. Title: The musician’s guide to theory and analysis / Jane Piper Clendinning, Florida State University College of Music Elizabeth West Marvin, Eastman School of Music. Library of Congress Cataloging-in-Publication Data Names: Clendinning, Jane Piper, author. All rights reserved Third Edition Editor: Justin Hoffman Developmental editor: Susan Gaustad Media editor: Steve Hoge Managing editor, College: Marian Johnson Managing editor, College Digital Media: Kim Yi Production managers: Andy Ensor and Jane Searle Ebook Production Manager: Mateus Manço Teixeira Ebook Production Assistant, College: Lizz Thabet Digital Media Project Editor: Meg Wilhoite Editorial assistant: Grant Phelps Media editorial assistant: Stephanie Eads Marketing manager, Music: Mary Dudley Design director: Rubina Yeh Designers: Lissi Sigillo and Rubina Yeh Composition, layout, and music setting: David Botwinik Permissions manager: Megan Jackson Permissions clearing: Kathleen Karcher Indexer: Marilyn Bliss Norton & Company stands as the largest and oldest publishing house owned wholly by its employees.Ĭopyright © 2016, 2011, 2005 by W.
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